About the label:
Hello America Stereo Cassette is a record label for writers established February 5th, 2021. We release cassettes of poetry, short fiction, and memoir. The releases are curated by Adam Gnade and the label is based out of the Ruby Teeth Homestead in rural Kansas. We are looking to build a scene of audio literary artists. If that's you and your work is good, we want to be friends.
What we are looking for:
We're now looking for submissions for our Summer 2021 Collection compilation (deadline June 10th) and our ongoing Stories Mixtape and Hello Poetry Mixtape. We're also scouting out artists for full-length cassette releases but mostly just single tracks. If we like your submission well enough we might pitch a cassette idea. Showing up on one of our comps is a good way to get your foot in the door and allow us a chance to get to know you and see how you are to work with. We don't offer full-length releases often or lightly.
We pay a 50/50 artist/label split of all downloads, paying out once it accrues $20. For physical releases, we pay the same rates after the release makes back its initial manufacturing cost (usually about $360. So, once we sell 36 of your records, we pay you $5 per album sold).
What we are looking for more specifically:
Short pieces of writing (fiction, memoir, poetry, scenes from your life, weird shit that's on your mind) as well as short pieces of writing backed by original music (no public domain or unlicensed backing tracks please). Submit in .wav file to firstname.lastname@example.org VERY IMPORTANT: We don't accept tracks that aren't recorded as .wavs. Even if you've recorded it as an mp3 then converted it to a .wav file afterward, we can't use it. Record it in .wav format to begin with.
We encourage writers of color, women, trans and nonbinary authors, and authors outside of the US to submit work. This place is for you.
What we're not looking for:
1) That awful, swingy-voiced spoken word poetry slam delivery with unnatural emphasis on random words. Fuck that shit. A little theatre is fine in your delivery but extra points for conversational tones and using your natural, nonaffected voice.
2) Racist, sexist, transphobic, ablest, fascist, homophobic, and/or right wing writers please go elsewhere aka go fuck yourselves.
3) Tracks with vocal mistakes. If you stumble over a word, record the track again.
4) YA writing. Sorry. Our audience is mid 20 to early 30s.
Here are things we like that are in line with the sort of work we release:
Jesmyn Ward's audio books, Patti Smith, Ebony Tusks, Black Creatures, Ocean Vuong's readings and interviews, film voiceovers, Moss Icon, the band Black Country New Road, "A Dream" by John Cale and Lou Reed, the Velvet Underground's track "The Gift" off White Light/White Heat, "Travelin' Blues" by Slim Gaillard, some of Tom Waits' talking tracks, "Mean Talking Blues" by Woody Guthrie, "When the President Talks to God" by Bright Eyes, "History Lesson Part 2" by the Minutemen, "Back and Forth" by the Dismemberment Plan, and "Where the Darkness Began" by EMA.